Nida Doctoral School 2025
Experimental Feminisms: Correspondence, Fabulation, Reenactment

25–29 August, Nida, Lithuania
Arrival: 24 August, Departure: 30 or 31 August

The Nida Doctoral School in 2025 invites researcher participants to engage with and apply research methods developed through intersectional feminist thinking. These methods aim to activate ways of articulating absences and re-evaluating traces within established histories and theories. The School seeks to foster discussion and idea-sharing around imaginative methods and examine what is at stake in bringing past and present voices into relation.

Building on the methods that animated discourse around experiment, form, and sexual difference in feminist work of the 1960s and 1970s, the School aims to engage these approaches in contemporary contexts. Through seminars, workshops and discussions, the school carousels three imaginative methodologies – correspondence, fabulation and reenactment –  which artist-researchers can orient towards their own interests and inquiries.

Correspondence is an active form of research, situated in an address that seeks response, marked by its direct, intimate appeal. To co-respond suggests a meeting – a point of confluence – that may be based on likeness and commonality, as much as on difference. This method employs letter writing, the epistolary address, and the notion of historical affinities.

Fabulation focuses on approaches to fiction, expanding previous conceptions of literary genre to include radical modes of narration, speculation, revision, fable, lying and hoaxing, as alternative modes of critical and creative engagement that re-imagine our own and others’ lives, bodies and worlds and possibilities.

Reenactment extends discussions of performativity and cross-historical affective relations. As a feminist strategy for arts research, it tests the potential of reenactment as a mode where then and now punctuate each other” or a return with revolutionary potential, it experiments with tools of embodiment, ventriloquism and mimesis, amongst others

Over the five-days, participants will share and develop their ongoing research through peer- driven exchanges, reading groups, task-based practical workshops, group discussion, and individual tutoring sessions. Meals will be shared and time is allocated for informal meetings and activities. 

Indicative Reading

Bower, A. (1997), Epistolary Responses
Dillon, B. (2022), Affinities
Gallop, J. (1990), Thinking Through the Body
Gumbs, A.P. (2016), Spill: Scenes of Black Feminist Fugitivity
Grant, C. (2019), Fandom as Methodology
Hartman, S. (2019), Wayward Lives, Beautiful Experiments – Intimate Histories of Social Upheaval
Lütticken, S. (2006), An Arena in which to Reenact
Nelson, M. (2015), The Argonauts
Schneider, R. (2011), Performing Remains: Art and War in times of Theatrical reenactment
Scholes, R. (1979), Fabulation and Metafiction
Shani, T. (2019), DC: Semiramis
Warner, M. (1994), Managing Monsters: Six myths of our time

The concept and structure of NDS 2025 is developed by Rebecca Fortnum (University of London), and Egija Inzule, Director of NAC.

Over the last decade, NAC as a site and infrastructure has established itself as a productive, hospitable venue which creates opportunities for conversation on the relationship between research, practice and pedagogy. This year the focus on the summer school is to explore this objective further by focusing on the intersectional feminist approaches to artistic research.

Partners

In 2025 NDS is joined and co-funded by eight partnering PhD in Practice programmes:

HDK-Valand, Gothenburg University
Estonian Academy of Arts
The Royal College of Art
University of the Arts Helsinki
University of the Arts London
Zurich University of the Arts
The Academy of Fine Arts Zagreb
Vilnius Academy of Arts

Tutors

To ensure the peer-to-peer character of the course, tutors are the PhD candidates themselves, as well as recent graduates from a PhD programme and professors from the partnering universities. Besides their input in conducting some of the activities during the course, they offer one to one tutoring sessions.

Dr. Chantal Faust
Dr. Ilse van Rijn
Dr. Marita Fraser
Dr. Rebecca Fortnum
Ayesha Hameed
Dr. Onyeka Igwe