Inter-format Symposium 2019

FULL PROGRAMME (PDF)

ABSTRACTS AND BIOS (PDF)

 

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9th Inter-format Symposium on the Fluidity of Humour and Absurdity

June 28–30, 2019

 

This time the symposium is going to bring around 50 artists, practitioners, and researchers who explore as well as question the role and critical potential of comedy, humour and the purpose of the absurd within contemporary art and related theories.

The Symposium will reflect on how we employ humour as a medium to ponder social, ecological, (cultural)-political complexities as well as the absurd situations they generate. It seeks to analyse humour and its various mechanisms, their ability to transform perception of ‘reality,’ break down stereotypes, challenge taboo subjects, and mainstream assumptions. It is going to test humour as a tool to raise and discuss sensitive issues regarding race, gender, class structure, ethnicity, sexuality, violence, and personal identity.

Comic communication (irony, satire, absurd humour, etc.) can often be undervalued, misplaced by sheer silliness or made difficult due to politically correct sensibilities. We believe that comic genres are often the best tools to lay bare the various absurdities in the art and academic world, to drive us out from our ‘professional bubble’, and have a different approach to the reality governed by populism. We propose challenging the often overserious character of conversation and reflect on the potential of humour as a tool of self-critique as well as self-reflection.

The participants will investigate the ways artistic and curatorial work can work around limitations of traditional comedy by bringing in references from art and cultural history as well as explore jokes as ‘innovative actions’ commenting on cultural, political and social complexities.

The idea of the Symposium also includes a regional touch. We wish to reflect on local post-socialist and post-soviet condition and various humorous and absurd situations that happen when the past meets the present, East meets West, periphery meets centre, art meets life, local meets global, e.g. when various contexts, narratives, temporalities meet. The sessions will partially be held in Lithuanian or other languages than English as humour is most often context-based and language-specific.

The Symposium hosts participants from different disciplines at Nida beach resort town in a relaxed atmosphere to rethink and transcend various strategies of humour and bridge genres that seem incompatible at first sight. Some possible activities are comic strip sculpture, stand-up comedy as academic lecture, satirical walking, absurd hiking, ‘Humour SPA’, etc.

Event on Facebook
All events are open to the public.

 

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NATURE OF THE SYMPOSIUM

Over three days and nights, the transdisciplinary symposium engages in a dialogue between artistic, humorous, and scientific research with presentations and performances in the woods, in-between the moving dunes, inside various spaces of the Colony or on the coast lines (the seaside and lagoon). Different locations stimulate a further critical discussion of the topic and provide the ground for a relaxing and holiday like atmosphere where anything can happen.

The Symposium fluctuates between the forms of conference and festival, however, due to the remoteness most of the participants are active contributors. More information about the concept and format you may find in a documentation on previous symposia here.

Curators: Lívia Páldi (Hungary/Ireland) & Vytautas Michelkevičius (Lithuania).

Participants: Lissette Olivares, Olav Westphalen, Gernot Wieland, Lívia Páldi & Vytautas Michelkevicius, Error Collective (Ernest Truely & Justin Tyler Tate & John Fail), Irina Gheorghe, Lisette Olivares, Janks Archive (Ben Kinsley & Jessica Langley), Carla Gannis & Yuliya Lanina, Žygimantas Kudirka, Dafna Maimon, Lindsey White, Michal Libera, Verena Seibt & Markus Zimmermann, Masha Fomenko & Petr Laden, Paulina Eglė Pukytė, and Kasia Fudakowski.

Facilitating artists: Donatas Linkus, Marta Frėjutė, Saulė Barley (Miežytė), and Lukas Strioga

 

Face In, Face Out by Olav Westphalen 

 

Human Hound Program: Deed of Dog by Dafna Maimon

 


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Welcome word by Lívia Páldi and Vytautas Michelkevičius
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A special kit by Error Collective
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Unfunny Times, Some Speculations About The Role of Humour after The End of Fun by Olav Westphalen
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Dinner time
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Guided walk through the historical sites & symposiums in the past by Vytautas Michelkevičius
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50 ways to kill my mother by Gernot Wieland
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Preliminary Remarks on the Study of What Is Not There by Irina Gheorghe  
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Coming Out as a Trans*Animal: The Sympoietic Affects of “We” Architectures by Lissette Olivares
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Janks Archive: Investigating Traditions of Insult Humour in Cultures From Around The World by Ben Kinsley and Jessica Langley
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Unreal Reality (or TheyWho Laugh Last, Laugh Best) by Carla Gannis and Yuliya Lanina
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extrrnal memory by Žygimantas Kudirka
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Face In, Face Out by Olav Westphalen 
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„Face In, Face Out“, Olav Westphalen 
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1st part of the project The Power of Punch, Formal and Ritual Laughter by Verena Seibt & Markus Zimmermann (caspa hausa collective)
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Prop Talk by Lindsey White 
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ErrorLateNightLounge featuring Serious Introspection by Error Collective with guest John W. Fail
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LETHE. Opera Buffa Acusmatica by Michał Libera
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2 Monsters 2 Times by Great Circus of Failure (Masha Fomenko and Petr Laden)
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Joking - Not Joking Bingo by Paulina Pukytė
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Word Count by Kasia Fudakowski
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Human Hound Program: Coming of Dog by Dafna Maimon
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Human Hound Program: Deed of Dog by Dafna Maimon
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Human Hound Program: Deed of Dog by Dafna Maimon
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Photos by Andrej Vasilenko
 

Symposium is organized by NGO MENE in collaboration with Nida Art Colony of VAA. 
Supported by Lithuanian Council of Culture and The Ministry of Culture of the Republic of Lithuania.

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