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Published on Tuesday, 10 July 2018 12:38

(Per)forming Scapes
20 July–31 August, 2018
Nida Art Colony of Vilnius Academy of Arts
E. A. Jonušo st. 3, Nida
The exhibition is a part of 22nd International Thomas Mann festival
Participating artists: Lina Lapelytė, Ona Lozuraitytė & Petras Išora, Špela Petrič (Slovenia), Anna Romanenko & Björn Kühn (Germany)
Curated by Vytautas Michelkevičius
The landscape of Curonian Spit is (per)formed, phytocracy is established in Neringa, the exhibition halls become gyms, it is discovered that the local mentality is formed by constant work in a specific landscape and traditional singing turns into an animalistic snarl and rumble.
It is not an art exhibition, but a visual, audial, performative and interactive narration about the Curonian Spit, where contemporary art serves as a platform for artists and researchers of various areas to meet and present their points of view.
As from May, VAA Nida Art Colony and entire area of the Curonian Spit has turned into a testing ground and a research laboratory where exhibition participants were discussing the relationship between human and nature on various scales: from vast geological landscape to symbiosis with smallest plants, from park and other regulations to psychophysical provisions. Therefore, here meets landscape architecture, geography, biology, sculpture, work ethics, choreography, new media, and performative practices.

Download exhibition guide (PDF)
Exhibition produces and performs new landscapes, soundscapes, phytoscapes, spitscapes, movementscapes, workscapes, not to forget the multiplicity of meanings of the word „scape“: a leafless peduncle rising from the ground (Botany), the basal segment of an insect's antenna (Entomology), the shaft of a column (Architecture). The landscape is (per)formed, it becomes perforated, bent and cracked. In order to comprehend it, various zooming, reducing, and grasping tools or roleplaying between humans and non-humans are applied. In it, the spectator becomes a participant, able to experience the landscape with one‘s body, interact with plants and modify one‘s mentality by performing choreographic movements.
If entire national park of the Curonian Spit is an exhibition, how would you perform to a tree or a lichen? How can mentality be developed physically relating to a place and solidified into a monu-mentality? At what point the repetitive movements for carrying out a task turn into a dance? Did you ever try to step on the landscape to see your direct impact on it? How the time slows down and space changes from plants point of view? To whom really belongs the agency in this interrelated web of nature-culture?
All works, research, and experiments were created at the residency of VAA Nida Art Colony for this exhibition.
Conversations with participating artists
Anna Romanenko and Björn Kühn
Špela Petrič
. . .
Architects
Ona Lozuraitytė & Petras Išora
Graphics & Layout
Laura Grigaliūnaitė
Team
Rasa Antanavičiūtė, Skaistė Marčienė, Kęstutis Minderis, Julija Navarskaitė,
Linas Ramanauskas, Karolina Sadlauskaitė
Guides
Giedrė Malūkaitė, Karolina Tomkevičiūtė, Austėja Tavoraitė
Gabrielė Liaugminaitė, Margarita Žigutytė
We thank to all the contributors and
Irena Daujotaitė, Vasilijus Safronovas, Jonas Volungevičius, Nikita Dobrotin,
Lina Dikšaitė, Monika Kalinauskaitė, Tadas Karpavičius, Glabis Niktorius,
Aleksandra Fominaitė, Andreas Rodenbeck,
National Park of Curonian Spit, Lithuanian Sea Museum, Neringa Municipality
Supported by
. . .
REVIEWS & REPORTAGES
Tomass Parups, „(Per)forming Scapes at Nida Art Colony“, in: www.arterritory.com, 2018
Margus Tamm, „The Geopolitics of the Sublime“, in: KUNST.EE, 2018, Nr. 3
Goda Aksamitauskaitė, „Žmogus ir gamta Kuršių nerijoje“, in: Literatūra ir menas, 2018, Nr. 19 (LT)
Dalia Aleksandravičiūtė, „Performuoti peizažus ir ne tik“, in: m-puslapiai.7md.lt, 2018 (LT)
Eglė Mikalajūnė, „Nuo kolosalumo link integralumo. Paroda „Perfor(m)uoti peizažai“ Nidos meno kolonijoje“, in: www.artnews.lt, 2018 (LT)
Denisas Kolomickis, „Utenos, Nidos ir Vilniaus parodos: nuo scenos maištininkų iki perkuriamų peizažų“, in: www.lrt.lt, 2018. 1:56 - 5:28 (LT)
Austėja Kuckienė, „Ryto allegro 2018-07-27 08:10“, in: www.lrt.lt, 2018. 54:25 - 1:32:37 (LT)
. . .
PHOTO REPORTAGE
Anna Romanenko & Björn Kühn, Local Fittings, interactive installation, bent ash gears, code, chronometer, 2018
Lina Lapelytė, Play for the Parallels, video with sound 11:07', loop, 2018
Lina Lapelytė, Play for the Parallels, loop, 2018
(Per)forming Scapes, 2018, exhibition view, Nida Art Colony, Nida, Lithuania
Anna Romanenko & Björn Kühn, Local Fittings, Hauling gear (Einholzeug), bent ash gears, 2018
Anna Romanenko & Björn Kühn, Local Fittings, interactive installation, bent ash gears, code, chronometer, 2018
Anna Romanenko & Björn Kühn, Local Fittings, interactive installation, code, chronometer, 2018
Anna Romanenko & Björn Kühn, Local Fittings, interactive installation, code, 2018
Anna Romanenko & Björn Kühn, Local Fittings, Ascending gear (Steigzeug), bent ash gears, 2018
Anna Romanenko & Björn Kühn, Local Fittings, Ascending gear (Steigzeug), bent ash gears, 2018
Anna Romanenko & Björn Kühn, Local Fittings, Marching gear (Marschzeug), bent ash gears, 2018
Anna Romanenko & Björn Kühn, Local Fittings, Marching gear (Marschzeug), bent ash gears, 2018
Anna Romanenko & Björn Kühn, Local Fittings, Plugging gear (Pflöckzeug), bent ash gears, 2018
Anna Romanenko & Björn Kühn, Local Fittings, Plugging gear (Pflöckzeug), bent ash gears, 2018
Anna Romanenko & Björn Kühn, Local Fittings, Collecting gear (Sammelzeug), bent ash gears, 2018
Anna Romanenko & Björn Kühn, Local Fittings, Collecting gear (Sammelzeug), bent ash gears, 2018
Anna Romanenko & Björn Kühn, Local Fittings, Collecting gear (Sammelzeug), bent ash gears, 2018
Anna Romanenko & Björn Kühn, Local Fittings, Swaying gear (Schwankzeug), bent ash gears, 2018
Anna Romanenko & Björn Kühn, Local Fittings, Swaying gear (Schwankzeug), bent ash gears, 2018
Anna Romanenko & Björn Kühn, Local Fittings, Leaning gear (Lehnzeug), bent ash gears, 2018
Anna Romanenko & Björn Kühn, Local Fittings, Leaning gear (Lehnzeug), bent ash gears, 2018
(Per)forming Scapes, 2018, exhibition view, Nida Art Colony, Nida, Lithuania
Ona Lozuraitytė & Petras Išora, Landscape Management, timeline of local history on paper designed by Tadas Karpavičius, 2018
Ona Lozuraitytė & Petras Išora, Landscape Management, timeline of local history on paper designed by Tadas Karpavičius, 2018
Ona Lozuraitytė & Petras Išora, Landscape Management, installation and research project (fragment), 2018
Ona Lozuraitytė & Petras Išora, Landscape Management, photographs by forester Marijonas Daujotas, 2018
Ona Lozuraitytė & Petras Išora, Landscape Management, installation and research project (fragment), 2018
Ona Lozuraitytė & Petras Išora, Landscape Management, German hiking map (1919), aerophotograph, ortophotograph, and soil moisture regime plan, 2018
(Per)forming Scapes exhibition architecture by Ona Lozuraitytė & Petras Išora
Ona Lozuraitytė & Petras Išora, Landscape Management, installation and research (fragment), 1st general plan of Neringa town in 1968, 2018
Ona Lozuraitytė & Petras Išora, Landscape Management, installation and research fragment. LIDAR laser scan of Curonian Spit bended at Russian border on foam, 2018
Ona Lozuraitytė & Petras Išora, Landscape Management, installation and research fragment. LIDAR laser scan of Curonian Spit bended at Russian border on foam, 2018
Ona Lozuraitytė & Petras Išora, Landscape Management, installation and research fragment with the transformation scheme of a wave nearing the shore, 2018
Ona Lozuraitytė & Petras Išora, Landscape Management, installation and research fragment offluctuations along Curonian Spit coast by Darius Jarmalavičius, 2018
Špela Petrič, Tools for Dissection of Phytopolitics (0.2), installation of objects used during the performance, household items, steel, plexiglass, wood, cloth, video by Špela Petrič, Saulius Petrošius, and Laurynas Skeisgiela, 2018
Špela Petrič, Tools for Dissection of Phytopolitics (0.2), tool for Stenourbanites, 2018
Špela Petrič, Tools for Dissection of Phytopolitics (0.2), video documentation of the performance (tool for Stenourbanites), 2018
Špela Petrič, Tools for Dissection of Phytopolitics (0.2), tool for Corporealists and video documentation of the performance, cloth, 2018
Špela Petrič, Tools for Dissection of Phytopolitics (0.2), tool for Imagofetishists and performance documentation, 2018
Špela Petrič, Tools for Dissection of Phytopolitics (0.2), tools for Pansemiologic Investigators, household items, 2018
(Per)forming Scapes, 2018, exhibition view, Nida Art Colony, Nida, Lithuania
Photos by Laurynas Skeisgiela