(Per)forming Scapes 2018

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(Per)forming Scapes

 

20 July–31 August, 2018
Nida Art Colony of Vilnius Academy of Arts
E. A. Jonušo st. 3, Nida

The exhibition is a part of 22nd International Thomas Mann festival 

 

Participating artists: Lina Lapelytė, Ona Lozuraitytė & Petras Išora, Špela Petrič (Slovenia), Anna Romanenko & Björn Kühn (Germany)

Curated by Vytautas Michelkevičius

 

The landscape of Curonian Spit is (per)formed, phytocracy is established in Neringa, the exhibition halls become gyms, it is discovered that the local mentality is formed by constant work in a specific landscape and traditional singing turns into an animalistic snarl and rumble.

It is not an art exhibition, but a visual, audial, performative and interactive narration about the Curonian Spit, where contemporary art serves as a platform for artists and researchers of various areas to meet and present their points of view. 

As from May, VAA Nida Art Colony and entire area of the Curonian Spit has turned into a testing ground and a research laboratory where exhibition participants were discussing the relationship between human and nature on various scales: from vast geological landscape to symbiosis with smallest plants, from park and other regulations to psychophysical provisions. Therefore, here meets landscape architecture, geography, biology, sculpture, work ethics, choreography, new media, and performative practices.

 

En

Download exhibition guide (PDF)

 

Exhibition produces and performs new landscapes, soundscapes, phytoscapes, spitscapes, movementscapes, workscapes, not to forget the multiplicity of meanings of the word „scape“: a leafless peduncle rising from the ground (Botany), the basal segment of an insect's antenna (Entomology), the shaft of a column (Architecture). The landscape is (per)formed, it becomes perforated, bent and cracked. In order to comprehend it, various zooming, reducing, and grasping tools or roleplaying between humans and non-humans are applied. In it, the spectator becomes a participant, able to experience the landscape with one‘s body, interact with plants and modify one‘s mentality by performing choreographic movements.

If entire national park of the Curonian Spit is an exhibition, how would you perform to a tree or a lichen? How can mentality be developed physically relating to a place and solidified into a monu-mentality? At what point the repetitive movements for carrying out a task turn into a dance? Did you ever try to step on the landscape to see your direct impact on it? How the time slows down and space changes from plants point of view? To whom really belongs the agency in this interrelated web of nature-culture?

All works, research, and experiments were created at the residency of VAA Nida Art Colony for this exhibition.

 


Conversations with participating artists
Anna Romanenko and Björn Kühn
Špela Petrič 

 

. . .

Architects
Ona Lozuraitytė & Petras Išora

Graphics & Layout
Laura Grigaliūnaitė

Team
Rasa Antanavičiūtė, Skaistė Marčienė, Kęstutis Minderis, Julija Navarskaitė, 
Linas Ramanauskas, Karolina Sadlauskaitė

Guides
Giedrė Malūkaitė, Karolina Tomkevičiūtė, Austėja Tavoraitė
Gabrielė Liaugminaitė, Margarita Žigutytė

We thank to all the contributors and
Irena Daujotaitė, Vasilijus Safronovas, Jonas Volungevičius, Nikita Dobrotin,
Lina Dikšaitė, Monika Kalinauskaitė, Tadas Karpavičius, Glabis Niktorius,
Aleksandra Fominaitė, Andreas Rodenbeck,
National Park of Curonian Spit, Lithuanian Sea Museum, Neringa Municipality

 

Supported by

LTK Originalus Logotipas anglu 

 LRKM EN  visi logo-01  Goethe-Institut Logo Internet  Culture ENG SMALL  

 

. . .

REVIEWS & REPORTAGES

Tomass Parups, „(Per)forming Scapes at Nida Art Colony, in: www.arterritory.com, 2018

Margus Tamm, „The Geopolitics of the Sublime“, in: KUNST.EE, 2018, Nr. 3

 

Goda Aksamitauskaitė, „Žmogus ir gamta Kuršių nerijoje“, in: Literatūra ir menas, 2018, Nr. 19 (LT)

Dalia Aleksandravičiūtė, „Performuoti peizažus ir ne tik“, in: m-puslapiai.7md.lt, 2018 (LT)

Eglė Mikalajūnė, „Nuo kolosalumo link integralumo. Paroda „Perfor(m)uoti peizažai“ Nidos meno kolonijoje“, in: www.artnews.lt, 2018 (LT)

Denisas Kolomickis, „Utenos, Nidos ir Vilniaus parodos: nuo scenos maištininkų iki perkuriamų peizažų“, in: www.lrt.lt, 2018. 1:56 - 5:28 (LT)

Austėja Kuckienė, „Ryto allegro 2018-07-27 08:10“in: www.lrt.lt, 2018. 54:25 - 1:32:37 (LT)

. . .

PHOTO REPORTAGE

 

3A
Anna Romanenko & Björn Kühn, Local Fittings, interactive installation, bent ash gears, code, chronometer, 2018
 
2A
Lina Lapelytė, Play for the Parallels, video with sound 11:07', loop, 2018
 
2B
Lina Lapelytė, Play for the Parallels, loop, 2018
 

 

 
1
(Per)forming Scapes, 2018, exhibition view, Nida Art Colony, Nida, Lithuania
 
3B
Anna Romanenko & Björn Kühn, Local FittingsHauling gear (Einholzeug),  bent ash gears, 2018
 
4
Anna Romanenko & Björn Kühn, Local Fittings, interactive installation, bent ash gears, code, chronometer, 2018
 
6
Anna Romanenko & Björn Kühn, Local Fittings, interactive installation, code, chronometer, 2018
 
5
Anna Romanenko & Björn Kühn, Local Fittings, interactive installation, code, 2018
 
6a
Anna Romanenko & Björn Kühn, Local FittingsAscending gear (Steigzeug), bent ash gears, 2018
 
6b
Anna Romanenko & Björn Kühn, Local FittingsAscending gear (Steigzeug), bent ash gears, 2018
 
6c
Anna Romanenko & Björn Kühn, Local Fittings, Marching gear (Marschzeug), bent ash gears, 2018
 
7
Anna Romanenko & Björn Kühn, Local Fittings, Marching gear (Marschzeug), bent ash gears, 2018
 
10c
Anna Romanenko & Björn Kühn, Local FittingsPlugging gear (Pflöckzeug), bent ash gears, 2018 
 
10d
Anna Romanenko & Björn Kühn, Local FittingsPlugging gear (Pflöckzeug), bent ash gears, 2018 
 
8a
Anna Romanenko & Björn Kühn, Local Fittings, Collecting gear (Sammelzeug), bent ash gears, 2018
 
88
Anna Romanenko & Björn Kühn, Local Fittings, Collecting gear (Sammelzeug), bent ash gears, 2018
 
8aa
Anna Romanenko & Björn Kühn, Local Fittings, Collecting gear (Sammelzeug), bent ash gears, 2018
 
8b
Anna Romanenko & Björn Kühn, Local Fittings, Swaying gear (Schwankzeug), bent ash gears, 2018 
 
9
Anna Romanenko & Björn Kühn, Local Fittings, Swaying gear (Schwankzeug), bent ash gears, 2018
 
10
Anna Romanenko & Björn Kühn, Local Fittings, Leaning gear (Lehnzeug), bent ash gears, 2018 
 
10aa
Anna Romanenko & Björn Kühn, Local Fittings, Leaning gear (Lehnzeug), bent ash gears, 2018 
 
11
(Per)forming Scapes, 2018, exhibition view, Nida Art Colony, Nida, Lithuania
 
12
Ona Lozuraitytė & Petras Išora, Landscape Management, timeline of local history on paper designed by Tadas Karpavičius, 2018

13
Ona Lozuraitytė & Petras Išora, Landscape Management, timeline of local history on paper designed by Tadas Karpavičius, 2018
 
14
Ona Lozuraitytė & Petras Išora, Landscape Management, installation and research project (fragment), 2018 
 
15
Ona Lozuraitytė & Petras Išora, Landscape Management, photographs by forester Marijonas Daujotas, 2018 
 
16
Ona Lozuraitytė & Petras Išora, Landscape Management, installation and research project (fragment), 2018 
 
17
Ona Lozuraitytė & Petras Išora, Landscape ManagementGerman hiking map (1919), aerophotograph, ortophotograph, and soil moisture regime plan, 2018
 
21
(Per)forming Scapes exhibition architecture by Ona Lozuraitytė & Petras Išora
 
20
Ona Lozuraitytė & Petras Išora, Landscape Management, installation and research (fragment), 1st general plan of Neringa town in 1968, 2018

19
Ona Lozuraitytė & Petras Išora, Landscape Management, installation and research fragment. LIDAR laser scan of Curonian Spit bended at Russian border on foam, 2018
 
18
Ona Lozuraitytė & Petras Išora, Landscape Management, installation and research fragment. LIDAR laser scan of Curonian Spit bended at Russian border on foam, 2018
 
30
Ona Lozuraitytė & Petras Išora, Landscape Management, installation and research fragment with the transformation scheme of a wave nearing the shore, 2018
 
31
Ona Lozuraitytė & Petras Išora, Landscape Management, installation and research fragment offluctuations along Curonian Spit coast by Darius Jarmalavičius, 2018
 
22
Špela Petrič, Tools for Dissection of Phytopolitics (0.2), installation of objects used during the performance, household items, steel, plexiglass, wood, cloth, video by Špela Petrič, Saulius Petrošius, and Laurynas Skeisgiela, 2018
 
22a
Špela Petrič, Tools for Dissection of Phytopolitics (0.2), tool for Stenourbanites, 2018
 
23
Špela Petrič, Tools for Dissection of Phytopolitics (0.2), video documentation of the performance (tool for Stenourbanites), 2018
 
24
Špela Petrič, Tools for Dissection of Phytopolitics (0.2), tool for Corporealists and video documentation of the performance, cloth, 2018
 
25
Špela Petrič, Tools for Dissection of Phytopolitics (0.2), tool for Imagofetishists and performance documentation, 2018
 
508A1522
Špela Petrič, Tools for Dissection of Phytopolitics (0.2), tools for Pansemiologic Investigators, household items, 2018
 
26
(Per)forming Scapes, 2018, exhibition view, Nida Art Colony, Nida, Lithuania

Photos by Laurynas Skeisgiela