Nida Doctoral School 2025
Experimental Feminisms: Correspondence, Fabulation, Reenactment

25–29 August, Nida, Lithuania
Arrival: 24 August, Departure: 30 or 31 August

The Nida Doctoral School in 2025 invites researcher participants to engage with and apply research methods developed through intersectional feminist thinking. These methods aim to activate ways of articulating absences and re-evaluating traces within established histories and theories. The School seeks to foster discussion and idea-sharing around imaginative methods and examine what is at stake in bringing past and present voices into relation.

Building on the methods that animated discourse around experiment, form, and sexual difference in feminist work of the 1960s and 1970s, the School aims to engage these approaches in contemporary contexts. Through seminars, workshops and discussions, the school carousels three imaginative methodologies – correspondence, fabulation and reenactment –  which artist-researchers can orient towards their own interests and inquiries.

Correspondence is an active form of research, situated in an address that seeks response, marked by its direct, intimate appeal. To co-respond suggests a meeting – a point of confluence – that may be based on likeness and commonality, as much as on difference. This method employs letter writing, the epistolary address, and the notion of historical affinities.

Fabulation focuses on approaches to fiction, expanding previous conceptions of literary genre to include radical modes of narration, speculation, revision, fable, lying and hoaxing, as alternative modes of critical and creative engagement that re-imagine our own and others’ lives, bodies and worlds and possibilities.

Reenactment extends discussions of performativity and cross-historical affective relations. As a feminist strategy for arts research, it tests the potential of reenactment as a mode where then and now punctuate each other or a return with revolutionary potential, it experiments with tools of embodiment, ventriloquism and mimesis, amongst others.

Over the five-days, participants will share and develop their ongoing research through peer- driven exchanges, reading groups, task-based practical workshops, group discussion, and individual tutoring sessions. Meals will be shared and time is allocated for informal meetings and activities. 

Partners

In 2025 NDS is joined and co-funded by ten partnering PhD in Practice programmes:

Estonian Academy of Arts
The Glasgow School of Art
HDK-Valand, Gothenburg University
University of the Arts Helsinki
University of the Arts London
The Royal College of Art
Villa Arson
Vilnius Academy of Arts
The Academy of Fine Arts Zagreb
Zurich University of the Arts

Tutors

To ensure the peer-to-peer character of the course, tutors are the PhD candidates themselves, as well as recent graduates from a PhD programme and professors from the partnering universities. Besides their input in conducting some of the activities during the course, they offer one to one tutoring sessions.

Ayesha Hameed
Chantal Faust
Ilse van Rijn
Marita Fraser
Nicky Coutts
Onyeka Igwe
Rebecca Fortnum
Sophie Orlando

Guests

Katharina Riedl – gemeinsam bauen wir neu
Philippa Driest – KIOSK Rotterdam

Participants

Alice Harry – The Royal College of Art
Ana Vicente Richards – University of the Arts London
Anna Knappe – University of the Arts Helsinki
Anna Wohlgemuth – Zurich University of the Arts
Anouk Hoogendoorn – Zurich University of the Arts
Charlotte Yao – University of the Arts London
Giulia Astesani – Glazgo meno mokykla
Hanneriina Moisseinen – University of the Arts Helsinki
Ieva Rižė – Vilnius Academy of Arts
Indrė Liškauskaitė – Vilnius Academy of Arts
Joana Quiroga – University of the Arts Helsinki
Justina Semčenkaitė – Vilnius Academy of Arts
Karolin Poska – Estonian Academy of Arts
Natalie Novik – HDK-Valand, University of Gothenburg
Nina Nowak – Vilnius Academy of Arts
Sophie Durand – Vilnius Academy of Arts
Zorana Unković – Academy of Fine Arts Zagreb